Note: Although the deadline is May 10, 2008, we have decided that submissions will be considered if they arrive no later than Tuesday May 13, 2008. See Application Guidelines.
These workshops assist serious writers by exploring the art and craft as well as the business of writing. The week offers daily morning workshops, craft lectures, panel discussions on editing and publishing, staff readings, as well as brief individual conferences. The morning workshops are led by staff writer-teachers, editors, or agents. There are separate morning workshops for Fiction and Narrative Nonfiction/Memoir. In addition to their workshop manuscript, participants may have a second manuscript read by a staff member who meets with them in an individual conference.
Tuition is $750*, which includes six evening meals; a limited amount of financial aid is available. Admissions are based on submitted manuscripts.
Deadline: Submissions must be received on or before Saturday May 10, 2008. See Application Guidelines. Note: We make no admissions decisions before all the submissions have been read and evaluated.
*Tuition may change slightly without notice.
Each workshop consists of 12-13 participants, and has a different workshop leader each day. In each session, the group discusses two, sometimes three, participant manuscripts. During the course of the week, one manuscript by each participant is critiqued. Participants are asked to arrive with copies of the manuscript they would like treated in workshop. Our directors will assign each participant to the most appropriate staff workshop leader.
The Fiction Program accepts roughly 96 participants, while the Narrative Nonfiction/Memoir Program accepts 24-25. Applicants who work across genres may want to apply to both programs simultaneously, but will have to choose if accepted to more than one.
Morning workshops meet daily from 9 - 12. Afternoon and evening schedules are quite full, with optional lectures, panel discussions, staff readings, and other presentations. Participants need to set aside time for the reading and evaluation of workshop manuscripts.
Each participant is assigned a brief one-on-one conference with a staff member appropriate to his or her manuscript. These conferences are scheduled at the mutual convenience of the participant and the assigned staff member and usually run no longer than twenty minutes. In most cases, the manuscript to be discussed will be the one submitted with the application.
Gill Dennis’s Finding the Story Workshop assists writers in using experiences in their own lives to inform their fiction. It is a workshop in which emotional back-story is discovered and discussed and structure is examined. Enrollment is on a limited, first-apply basis, and is available only to those enrolled in the Writers Workshops. No manuscript is necessary. Groups of ten meet daily. An extra tuition fee of $125 will be charged for this workshop.
Several afternoons during the week, Sands Hall leads the Open Workshop, which provides another opportunity for participants to share their writing with their conference peers. Work is read aloud and discussed in a spontaneous and productive format.
Naturalist and writer David Lukas leads informative hikes up Shirley Canyon through meadows and forests, with vistas of Squaw Valley.
The Community of Writers rents houses and condominiums in the Valley for participants to live in during the week of the conference. If, when you are accepted, you would like us to arrange your accommodations, you can choose between Single, Double and Multiple rooms within these units.
A Single is a room in which a participant stays alone and is $500* for the week. A Double has twin beds and is shared with another participant of the same sex and is $350* for the week. A Multiple has bunk beds and is shared with two or more participants of the same sex and is $200* for the week, (subject to availability). If you will need a specific kind of room, return your deposit with the form as soon as possible after acceptance. *Prices subject to change slightly without notice.
Dinners are provided six evenings during the week. Participants are on their own for breakfast and lunch. There are major supermarkets in Tahoe City and Truckee, ten miles from Squaw Valley, and the Community Market or the 7-11 in Squaw Valley should have everything you need. You may prepare your breakfasts and lunches in your house, or visit one of the cafes in the valley.
WRITERS
Greg Bills is the author of the novels Consider This Home (Simon & Schuster) and Fearful Symmetry (Dutton/Penguin). His fiction has appeared recently in Santa Monica Review, and in 2007, his essay “Jack and the Giant” was published in the anthology Brothers and Beasts: An Anthology of Men on Fairy Tales (Wayne State University Press). He is a graduate of the MFA program in writing at UC Irvine, an alumnus of the Community of Writers Screenwriting Program, and is currently Director of the Creative Writing Program at the University of Redlands in Southern California.
Max Byrd is the author of a number of detective novels including California Thriller, which won the Shamus Award and, more recently, the historical novels Jefferson, Jackson, and Grant. Bantam published his most recent novel, Shooting the Sun. His essay is included in the anthology, Writers Workshop in a Book: The Squaw Valley Community of Writers on the Art of Fiction.
Mark Childress is the author of the novels A World Made of Fire, V for Victor, Tender, Crazy in Alabama, Gone for Good, and One Mississippi, published by Little, Brown in 2006. He wrote the screenplay for the 1999 Columbia Pictures film of Crazy in Alabama. He has also published three books for children. His essay is included in the anthology, Writers Workshop in a Book: The Squaw Valley Community of Writers on the Art of Fiction. www.markchildress.com
John Daniel is the author of three memoirs and two books of personal essays, as well as two collections of poems. His most recent work, Rogue River Journal: A Winter Alone, won a 2006 Pacific Northwest Booksellers Award and is now in its third paperback printing. A former Wallace Stegner Fellow at Stanford University, he has been awarded an NEA fellowship, the John Burroughs Nature Essay Award, and a Pushcart Prize, among other honors. He has taught as writer-in-residence at colleges and universities around the country. www.johndaniel-author.net
Gill Dennis, with Tom Rickman, was a founding Director of the Community of Writers Screenwriting Program. He wrote the movie Walk the Line with James Mangold and currently is adapting Den Fesperman’s The Small Boat of Great Sorrows, Hector Tobar’s The Tattooed Soldier and, with the author, A.L. Kennedy’s Day for the screen. Forever, which he wrote with the director Tatia Pilieva, will be produced in 2008. He won the L.A. Drama Critics’ Circle Award for Distinguished Direction in Theatre.
Cai Emmons is the author of the novels His Mother’s Son (Harcourt 2003, paperback 2004), and The Stylist (HarperCollins, October 2007). His Mother’s Son was translated into French and German, was a Booksense and Literary Guild selection, and it won the Ken Kesey Award for the Novel in 2003. Her second novel, The Stylist, was published in Fall 2007 by Perennial, an imprint of Harper Collins. Her short work has appeared in Arts and Letters, Narrative Magazine, and Portland Monthly, among others, and she has a selection in Now Write: Writing Exercises from Today’s Best Writers and Teachers (Tarcher Publications, 2006). Before turning to fiction Emmons wrote for film and theater. She received her B.A. from Yale University, an M.F.A in Film from New York University, and an M.F.A. in Fiction from the University of Oregon. www.caiemmons.com
Janet Fitch’s new novel Paint It Black, published in 2006 by Little, Brown is now in paperback. Her novel White Oleander, translated into 26 languages, appeared as a Warner Bros. film adaptation in 2002. Currently, her short stories can be seen in Black Clock 7 and Los Angeles Noir and her essay is included in the anthology, Writers Workshop in a Book: The Squaw Valley Community of Writers on the Art of Fiction. She teaches fiction writing at the Masters of Professional Writing program at USC. www.literati.net/Fitch
Lynn Freed is the author of seven books: Reading, Writing & Leaving Home: Life on the Page (essays); The Curse of the Appropriate Man (stories); and the novels, House of Women, The Mirror, The Bungalow, Home Ground and Friends of the Family. Her short fiction and essays have appeared in Harper’s, The New Yorker, The Atlantic Monthly, The Georgia Review, The New York Times, The Washington Post, and in the anthology, Writers Workshop in a Book: The Squaw Valley Community of Writers on the Art of Fiction. She is the recipient of the inaugural Katherine Anne Porter Award from the American Academy of Arts & Letters, and has received fellowships, grants and support from the National Endowment for the Arts and The Guggenheim Foundation, among others. www.lynnfreed.com
Molly Giles is the author of two prize-winning collections of short stories: Rough Translations and Creek Walk. She is also the author of the novel Iron Shoes. She taught Creative Writing at San Francisco State for 17 years, and presently teaches at the University of Arkansas.
Sands Hall is the author of the novel, Catching Heaven (Ballantine), a Random House Reader’s Circle selection and a Willa Award Finalist for Best Contemporary Fiction; her stage adaptation of Alcott’s Little Women recently enjoyed its tenth production; she is also the author of the comic drama Fair Use. Her book of writing essays and exercises, Tools of the Writer’s Craft was published in 2005. Her essay appears in the anthology, Writers Workshop in a Book: The Squaw Valley Community of Writers on the Art of Fiction. She teaches for the UC Davis Extension Programs and the Iowa Summer Writing Festival. www.sandshall.com
Louis B. Jonesis the author of the novels Ordinary Money, ParticlesandLuck, and California’s Over, all three New York Times Notable Books. A story recently appeared in The Threepenny Review. His essay appears in the anthology, Writers Workshop in a Book: The Squaw Valley Community of Writers on the Art of Fiction. He is co-director of the Community of Writers Fiction Program. www.louisbjones.com
Michelle Latiolais is professor of English at the University of California at Irvine. She is the author of the novel Even Now, which received the Gold Medal for Fiction from the Commonwealth Club of California. Bellevue Literary Press will publish her second novel, A Proper Knowledge, in spring 2008. She has published stories and essays in several literary journals.
Jake Morrissey is the author of a historical mystery, A Weekend at Blenheim, and a non-fiction narrative history, The Genius in the Design. He is also Executive Editor of Riverhead Books. (See editors).
Janis Cooke Newman is the author of Mary (published in hardcover by MacAdam/Cage, and in paperback by Harcourt), a historical novel about Mary Todd Lincoln. Mary was chosen as USA Today's Best Historical Fiction of 2006 and was a finalist for the Los Angeles Times First Fiction Book Prize. Newman is also the author of the 2001 memoir, The Russian Word for Snow (St. Martin's Press), a memoir about adopting her son from a Moscow orphanage. Her work has appeared in numerous anthologies, including Secret Lives of Lawfully Wedded Wives (Inner Ocean, 2006) and four Travelers' Tales editions. Newman's travel writing has been published in newspapers and magazines, including the LA Times, San Francisco Chronicle and Backpacker. www.janiscookenewman.com
Cecile Pineda’s published novels include Face, Frieze, and The Love Queen of the Amazon, written with the assistance of an NEA Fiction Fellowship and named Notable Book of the Year by the New York Times, as well as a fictional memoir, Fishlight: A Dream of Childhood; and two mononovels, Bardo 99 and Redoubt. Face won the Gold Medal from the Commonwealth Club of California, the Sue Kaufman Prize from the Academy and Institute of Arts & Letters, and a nomination for the American Book Award. Prior to her career as a novelist, she founded and directed Theatre of Man, her own experimental ensemble theater company dedicated to the development of original performance works. www.home.earthlink.net/~cecilep
Jason Roberts's debut nonfiction work, A Sense of the World: How a Blind Man Became History's Greatest Traveler (HarperCollins), was a finalist for the 2006 National Book Critics Circle Award, longlisted for the international Guardian First Book Award, and named a Best Book of the Year by the Washington Post, San Francisco Chronicle, Kirkus Reviews and other publications. He is also the inaugural winner of the Van Zorn Prize for emerging fiction writers (sponsored by Michael Chabon), and a contributor to the Village Voice, McSweeney's and The Believer. Norton will publish his next book, Every Living Thing, in 2009. www.jasonroberts.net
Elissa Schappell is unable to attend.
Martin J. Smithis a veteran journalist and magazine editor who has won more than 40 newspaper and magazine writing awards. A former senior editor at the Los Angeles Times Magazine, he currently is Editor- in-Chief of Orange Coast Magazine in Newport Beach, and is the author of three "Memory Series" novels -- Time Release, Shadow Image, and Edgar Award-finalist Straw Men. His nonfiction books, co-authored with Patrick J. Kiger, are POPLORICA: A Popular History of the Fads, Mavericks, Inventions, and Lore That Shaped Modern America, and the new OOPS: 20 Life Lessons From the Fiascoes That Shaped America, both published by HarperCollins. www.mysite.verizon.net/res7ynax
Rob Spillman's writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Real Simple, Rolling Stone, Salon, Spin, Sports Illustrated, Vanity Fair, Vogue, Worth, among other magazines, newspapers, and essay collections. He is Editor of Tin House magazine and Tin House Books. (See editors).
Andrew Tonkovich holds an MFA in Creative Writing from UC Irvine. His short stories, essays and commentaries have appeared in The Ear, Kinesis, Faultline, Radical Teacher, OC Weekly, the Los Angeles Times and an anthology, Geography of Fear. An excerpt from his novel-in-progress, Being Mr. Right, appeared in an upcoming issue of Green Mountains Review. He is the editor of The Santa Monica Review. (See editors)
Al Young
is Poet Laureate of California. In 2007, Sourcebooks/MediaFusion published Something About the Blues: An Unlikely Collection of Poetry (blues and jazz-themed poems), which includes an audio CD. His recent books include Coastal Nights and Inland Afternoons; the reprint of The Sound of Dreams Remembered, which received the 2002 American Book Award; African American Literature: A Brief Introduction and Anthology; and Mingus Mingus: Two Memoirs (with Janet Coleman). His essay appears in the anthology Writers Workshop in a Book. His honors include Guggenheim, Fulbright and NEA Fellowships, the Library of Congress Award for Short Fiction, the PEN-USA Award for Nonfiction, the Stephen Henderson Award for Outstanding Achievement in Poetry, the Richard Wright Award for Literary Excellence, and Radio Pacifica’s KPFA 2006 Peace Award. Since 2001 he has traveled widely for the U.S. Department of State to lecture on American and African American literature and culture. www.AlYoung.org
LITERARY AGENTS
Julie Barer is a literary agent who started her own agency in 2004 after working for six years at Sanford J. Greenburger Associates. Julie represents a wide range of fiction writers including bestselling National Book Award Finalist Joshua Ferris; award-winning short story writer Gina Ochsner; and Will Allison, whose debut novel was honored by Barnes & Noble Discover, Book Sense and Border’s Original New Voices. Julie also represents a variety of nonfiction clients. Before becoming an agent, Julie worked at Shakespeare & Co. Booksellers in New York City.
Michael V. Carlisle, a founder of InkWell Management, began his career at William Morris Agency. His authors have won Pulitzer Prizes, the Man Booker Prize, the National Book Award, the British Book Award, LA Times Book Award, and the PEN Award for first nonfiction; one even has an asteroid named for her. He is a former director of the AAR, a not-for-profit organization of independent literary and dramatic agents, and a member of PEN.
Leslie Daniels* is a writer and worked as a literary agent for a number of years before she opened her own agency, Daniels Books LLC. Her stories have appeared in Ploughshares, The Missouri Review, The Florida Review, Gulf Coast, and The Santa Monica Review among others. The Shooting Gallery in New York City produced her one-act play. She has been nominated three times for the Pushcart Prize and for the Best of the Associated Writing Programs. In 2005, she became the fiction editor for The Green Mountains Review.
Byrd Leavell is an agent with the Waxman Literary Agency in New York. A graduate of the University of Virginia and the Radcliffe Publishing Program, he began his career at Carlisle & Company and then served as an agent at InkWell Management and Venture Literary. His clients include Clay Travis, Scott Sigler, Mark Frauenfelder, and David Fleming.
Randi Murray is an agent with DeFiore and Company, a New York literary agency. Her list of fiction and narrative nonfiction writers includes Joyce Maynard, public radio's Ira Glass and several debut authors. Randi became an agent after a career at Goldman Sachs and as a consultant. She lives and works in the Bay Area.
Amy Rennert* is a literary agent based in California. She represents award- winning and bestselling authors including singer/songwriter Jimmy Buffett, Jacqueline Winspear, Janis Cooke Newman, Beth Kephart, and the late Terry Ryan. Amy was the editor in chief of two national magazines before founding The Amy Rennert Agency, Inc. in 1999. She is on the faculty of the
Stanford Publishing Course and she teaches regularly at Book Passage in Northern California.
*Denotes: Is a guest and will not be leading workshops.
EDITORS
Reagan Arthur is an Executive Editor at Little, Brown, where she has worked since 2001 after starting her publishing career at St. Martin’s Press, where she helped launch the Picador imprint. Writers she has worked with include Kate Atkinson, Judy Budnitz, Tony Earley, Joshua Ferris, Tim Gautreaux, Elizabeth Kostova, George Pelecanos, Ian Rankin, and Joanna Scott.
Trena Keating
is Editor-in-Chief of Dutton. Her specialties include mainstream and literary fiction as well as nonfiction. She began her career as an assistant at Stanford University Press, moving to Harper Collins in 1994. In 2001, she moved to the Penguin Group to be the Editor-in-Chief and then Associate Publisher of Plume. She moved to Dutton in 2006.
Jake Morrissey, Executive Editor of Riverhead Books, has edited the work of a wide range of authors, including Anne Lamott, Mary Pipher, Lewis Black, Gary Larson, and Robert Hellenga. Before joining Riverhead, he worked as an editor at both Scribner and Harmony. He is the author of a historical mystery, A Weekend at Blenheim, and a non-fiction narrative history, The Genius in the Design.
Martin J. Smith is a veteran journalist and magazine editor who has won more than 40 newspaper and magazine writing awards. A former senior editor at the Los Angeles Times Magazine, he currently is Editor- in-Chief of Orange Coast Magazine in Newport Beach, and is the author of three "Memory Series" novels -- Time Release, Shadow Image, and Edgar Award-finalist Straw Men. His nonfiction books, co-authored with Patrick J. Kiger, are POPLORICA: A Popular History of the Fads, Mavericks, Inventions, and Lore That Shaped Modern America, and the new OOPS: 20 Life Lessons From the Fiascoes That Shaped America, both published by HarperCollins.
Rob Spillman is Editor of Tin House, a bi-coastal literary magazine which he co-founded. Tin House has been honored in Best American Stories, Best American Essays, Best American Poetry, O. Henry Prize Stories, The Pushcart Prize Anthology and numerous other anthologies. He is also the Executive Editor of Tin House Books and the founder of the Tin House Literary Festival, now in its sixth year. His writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Real Simple, Rolling Stone, Salon, Spin, Sports Illustrated, Vanity Fair, Vogue, Worth, among other magazines, newspapers, and essay collections. He is the editor of The Time of My Life, an anthology of prom essays, and is currently editing The Penguin Anthology of Contemporary African Fiction. www.tinhouse.com
Andrew Tonkovich is the editor of the Santa Monica Review. His short stories, essays and commentaries have appeared in Faultline, OC Weekly, the Los Angeles Times and an anthology, Geography of Fear. An excerpt from his novel-in-progress, Being Mr. Right, appeared in Green MountainsReview. He has taught at UC Irvine, UC Irvine Extension, Santa Monica College, Irvine Valley College and University of Redlands. He hosts a weekly book culture program on Pacifica Radio affiliate KPFK 90.7 FM in Los Angeles. “Bibliocracy” focuses on literary fiction and nonfiction.
SPECIAL GUESTS
Selden Edwards's debut novel, The Little Book, will be published by Dutton in August. He is a retired private school headmaster and first attended the first annual Community of Writers in 1969.
Oakley Hall is the author of fifteen novels, eleven mystery novels and two books on the writing process. His novel, Love and War in California, was published by William Dunne Books (2007). His essay appears in the anthology, Writers Workshop in a Book. Two of his novels have been made into major motion pictures, and his Warlock has been republished in the New York Review of Books "Classic Novels" series. He was Director of the Programs in Writing at UC Irvine for twenty years, and with Blair Fuller founded the Community of Writers. He was awarded the Poets & Writers Magazine Writers For Writers Award.
Rhoda Huffey is the author of a novel, The Hallelujah Side, and has published stories in Tin House, Ploughshares, and Green Mountains Review.
Diane Johnsonis the author of many works of fiction and nonfiction including the trilogy, Le Mariage, Le Divorce, and L’Affaire. Her essay appears in the anthology, Writers Workshop in a Book. She is a two-time finalist for both the Pulitzer Prize and the National Book Award
Anne Lamott is the author of six novels including Hard Laughter, Rosie, Joe Jones, All New People, and Crooked Little Heart, as well as four best-selling books of nonfiction, Operating Instructions,Bird by Bird: Some Instructions on Writing and Life, Traveling Mercies, and Plan B: Further Thoughts on Faith. She is the recipient of a Guggenheim Fellowship. Her biweekly Salon Magazine online diary, “Word by Word,” was voted "The Best of the Web" by TIME. Her essay appears in the anthology, Writers Workshop in a Book. Her newest book, a collection of essays, Grace (Eventually): Thoughts on Faith was published in 2007.
David Lukas is a naturalist and writer whose writings have appeared in Audubon, Orion, Sunset, Wild Bird and in a weekly column in the Los Angeles Times. He is the author of Watchable Birds of the Great Basin and Wild Birds of California. He revised the classic guidebook Sierra Nevada Natural History (UC Press).
Amy Tan’s novels are The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, and Saving Fish from Drowning, all New York Times bestsellers. She is also the author of a memoir, The Opposite of Fate, two children’s books, The Moon Lady and Sagwa, and numerous articles for magazines, including The New Yorker, Harper’s Bazaar, and National Geographic. Her work has been widely anthologized and translated into 35 languages. Tan wrote the libretto for an opera based on her novel, The Bonesetter’s Daughter, which it will have its world premiere at the San Francisco Opera in September of 2008.
Each summer, recently published alumni are invited to return to Squaw Valley to read from their books and talk about their journey from unpublished writers to published authors.
Recent alumni who have been part of this reading series include Anita Amirrezvani, Aimee Bender, David Corbett, Charmaine Craig, Cai Emmons, Alex Espinoza, Glen David Gold, Judith Hendricks, Rhoda Huffey, Michael Jaime-Becerra, Regina Louise, Janis Cooke Newman, Frederick Reiken, Robin Romm, Elizabeth Rosner, Adrienne Sharp, Alice Sebold, Julia Flynn Siler, Jordan Fisher Smith, Ellen Sussman, Lisa Tucker, Brenda Rickman Vantrease, and Andrew Winer among others.
2008 ALUMNI READERS
The Community of Writers is delighted to celebrate the success of these writers and to present them to the participants, staff, and the public.
David Bajo has worked as a journalist and translator and has published stories in The Cimarron Review, Zyzzyva and The Sun. Viking will publish his first novel, The 351 Books of Irma Arcuri, in 2008. He attended the Community of Writers on a UC Irvine MFA Program Scholarship in 1987 and 1988. http://davidbajo.com
Joshua Ferris's first novel, Then We Came to the End, was a finalist for the 2007 National Book Award. A national bestseller, the New York Times named it one of the ten best books of 2007. His short fiction has been published or is forthcoming from Tin House, The Iowa Review, Best New American Voices, Prairie Schooner, New Stories from the South, The Guardian, and Granta. He attended the Community of Writers on a UC Irvine MFA Program Scholarship in 2003. www.thenwecametotheend.com
Christina Meldrum is the author of the novel, Madapple, which will be published in May 2008 by Alfred A. Knopf. Knopf will also publish her second novel. After working in grassroots development in Africa, she earned her Juris Doctor from Harvard Law School. She has worked for the International Commission of Jurists in Geneva, Switzerland, and as a litigator at the law firm of Shearman & Sterling, and currently is on the advisory board of Women of the World Investments. She attended Squaw Valley Community of Writers Workshop in 2005. www.christinameldrum.com
Nora Pierce is the author of the novel The Insufficiency of Maps, a Barnes and Noble "Discover Great New Writers" title. She was a Wallace Stegner fellow in fiction at Stanford University, and went on to lecture in the program. She is currently in residence at Cite Internationale des Arts in Paris. She attended the Community of Writers in 2003. www.norapierce.com
There is no application form. Admission is based on submitted manuscript. Please indicate if you are applying to more than one program. To be considered, submissions must be mailed to the appropriate address below, and received by May 10, 2008. If email address is included, applicants will receive a confirmation of receipt of the submission. For answers to frequently asked questions visit our FAQ page.
Past Writers Workshop participants: We ask that those of you who attended the last two years do not apply this year. Once you have taken a year off, you are welcome to apply again.
Make sure to put our email addresses in your address book:
brett "at sign" squawvalleywriters "dot" org
info "at sign" squawvalleywriters "dot" org
Past Past Writers Workshop participants: If you attended the last two years do not apply this year, (i.e. attendance is allowed for 2 out of every 3 years.) Once you have taken a year off, you are welcome to apply again.
Applicants, including past participants, should submit a sample of their best, unpublished prose.
Writing sample submission may consist of a story or two, essay(s) or chapter(s).
Submission ms. must be no more than 5000 words.
Book chapters should be accompanied by a one-page synopsis of the entire project, if possible. If enclosing a synopsis, keep in to one page and attach to back of the ms. Word count limit does not include synopsis.
Include two copies of this writing sample (ms.) with a cover sheet (see below) stapled to the front of each.
Submission ms. must be typed, double- spaced and 12 pt., with your name in the upper right-hand corner of each page.
The cover sheet should include home address, day and evening telephone numbers, and email address.
Requests for financial aid, or information about Work Waivers if needed, should be made on the cover sheet.
Request for participation in the Finding the Story Workshop should be made on the cover sheet.
If you have attended before, it is important to indicate the year, and name(s) of the staff members who worked with your ms.
Please indicate if applying in Fiction, Narrative Nonfiction, or Memoir/Personal Narrative. If applying in more than one category, please send separate submissions.
Enclose a $25 reading fee, payable to SVCW-Writers Workshops.
Manuscripts will not be returned; they will be recycled instead.
Deadline for receipt of application/submission: May 10, 2008
Send Submissions to:
Brett Hall Jones
S.V. Community of Writers – WW
16191 Indian Flat Rd.
Nevada City, CA 95959
Notification of acceptance by June 10.
Reading Application Fee: $25
Writers Workshops Tuition: $750*
Submissions Deadline: Must be received by May 10, 2008
Acceptance Notification: June 10, 2008
Fees may change slightly without notice.
Photographs by Tracy Hall & Brett Hall Jones
Brett Hall Jones, Executive Director
Brett can answer most of your questions about applications, housing and travel.
(For emails, we have removed the email link, and spell it out this way to help reduce unwanted spam.)
August 15 - June 15
(530) 470-8440 brett "at sign" squawvalleywriters "dot" org
June 15 - August 15
(530) 583-5200 brett "at sign" squawvalleywriters "dot" org
Lisa Alvarez
Co-Director, Writers Workshops
Lisa can answer questions about manuscripts, workshops and individual conferences. lisa"at sign" squawvalleywriters "dot" org
Louis B. Jones
Co-Director, Writers Workshops
Louis can answer questions about manuscripts, workshops and individual conferences.